Details:

Date: 20th January 2017

Location: Concert Room, Durham Music Department, Palace Green

About Tim Mead:

Counter-tenor Tim Mead is praised for his “alluring” and “consistently excellent” interpretations (New York Times). With his “rich, mellifluous sound” (Guardian), he is recognised as one of the finest across the generations of counter-tenors. Mead read Music as a choral scholar at King’s College, Cambridge, before winning a number of scholarships to continue his vocal studies at the Royal College of Music.

Recent operatic highlights include Oberon in Britten A Midsummer Night’s Dream at Glyndebourne Festival Opera and at Bergen National Opera, the title role in Philip Glass’s Akhnaten at Opera Vlaanderen, the leading role in Theater Basel’s new ‘Melancholia’ programme both in Basel and at the Holland Festival, and the title role Riccardo Primo at Opera Theatre of Saint Louis, and Arsamene in Cavalli Xerse with Le Concert d’Astrée at Opéra de Lille, Theater an der Wien, and Theatre de Caen. Previous highlights include Goffredo and Eustazio Rinaldo at Glyndebourne, Endimione La Calisto at Bayerische Staatsoper, Voice of Apollo in Deborah Warner’s production of Death in Venice at English National Opera and De Nederlandse Opera, Angel 1/Boy in George Benjamin’s Written on Skin at Théâtre du Capitole Toulouse and at the Gulbenkian Lisbon and Tolomeo Julius Caesar at English National Opera. Other operatic highlights include Ottone L’incoronazione di Poppea at ENO, Opéra de Lyon, Opéra de Lille, Opéra de Dijon and Den Norske Opera, title role Giulio Cesare at Glyndebourne, title role Orlando at Scottish Opera and Chicago Opera Theater, Clearte Niobe and the world premiere of Harrison Birtwistle’s The Minotaur for the Royal Opera House, Covent Garden, title role Admeto at International Händel Festspiele Göttingen and the Edinburgh International Festival, Ottone Agrippina in Lille and Dijon, Tolomeo Giulio Cesare at Deutsche Oper am Rhein, Paggio Ercole Amante at De Nederlandse Opera and in concert the title role in Gluck’s Orfeo ed Euridice with the Akademie für Alte Musik, Andronico Tamerlano with Les Musiciens du Louvre Grenoble, Rinaldo with Bach Collegium Japan and Bertarido Rodelinda with Mercury Baroque.

About the masterclass:

Durham Opera Ensemble is extremely excited to welcome the internationally renowned counter-tenor, Tim Mead, to Durham! He will no doubt be an invaluable asset to our preparations for the upcoming production of Britten’s A Midsummer Night’s Dream.